helping traditional skills flourish in our modern world

Category: Weaving

Weaving on 220cm Loom Made by AK Snickeri

Becky shares her experience weaving on a special 220 cm  loom, made by AK Snickeri in the 1940’s. This loom was used by Countess Ebba von Eckermann in her weaving business in Ripsa Sweden.

 

Here is my special very large loom. It was made by AK Snickeri in the 1940’s, and is 220 cm wide.  I am eager to tell you its story.

First of all, this is what is on this loom right now.

That is a very long temple!

I love the way fabric looks on the cloth beam.

I had a  rare week for myself in my studio in early March of 2020. I was wondering what to weave, so I decided to peruse my old binders from my second decade of weaving and pulled out this one.

Leafing through to see if I had any already planned projects that I had never gotten to.

I found this one! A fun stripe winding, and a combination of plain weave, twill and double weave. I remembered designing it and had always looked forward to getting around to it someday.

I do not have a picture of my cones and warp mill,  but I set everything up to wind my warp, and then COVID happened. No more of that precious studio time for about two years. Then I dusted everything off and wound my warp, beamed it and started weaving! Another two years or more, and we may ask, what’s all that stuff at the back of the loom?

I had another warp on this loom for the record 10 years before this one, and finally did weave off some large white tablecloths which are currently in use at our Vävstuga weaving school. I really missed having this “table space” in my studio when the loom was empty, so although I started weaving this new warp, I was in no hurry to finish it. I knew I would need to plan and set up my next project if I were to continue to have that wonderful table space (on top of my warp – yes……)

I originally acquired this loom from Kin Cullen (circled on my early brochure, below). She and her daughter Louise went to Sätergläntan Weaving School in Sweden in the 1970s, and Kin was the one who ultimately encouraged me to go there, which of course was a life changing experience for me, and set me on my life’s path. Her daughter Louise did some work with Countess Ebba von Eckermann (more on her below), Who used this loom and others in her weaving business in Ripsa Sweden. 

Here is a poster that has been kept with the loom. Ebba thought she might need a loom in the US, so crated this one up and sent it to Kin, who stored it in her barn in Plainfield Massachusetts for many years. Ebba never came for it, so when I started my weaving business Kin suggested I take the loom, and when I built my house in 1990, I could finally let her know that I had room for such a loom!

Let’s look at a few details –  here is a special height adjustment system for the shafts before the invention of texsolv.

This loom has four big beautiful wheels. Since it is so wide, it can be advantageous to lock the beam on both sides when a lot of tension is in use.

The beautiful handwork on this loom includes markings to tell you how the joints fit together.

This detail shows how the beater secures the reed.

The fly shuttle beater has these beautiful leather guides for the cord, originally hemp, but now replaced with texsolv.

This is a special rawhide piece to fling the shuttle from box to box in the fly shuttle beater, beautiful cord bracket at the top of the beater, and right hand side showing the wiggly leather shock absorber.

Here is a link to a film showing the weaving on this loom during my previous project.

I placed two of these brackets on the treadle beam to hold the 220 cm warp sticks.

And of course, I managed to leave out some blue warp threads by mistake, so here is my method for adding them in after the fact.

I have enjoyed looking at this fabric on this loom for over two years, but I’m feeling the itch to weave this project off soon.

Here are a few of the many fabrics I have woven on this full width loom in years past.

 

About Countess Ebba von Eckermann

(in Swedish)

 

More Information:

https://handwovenmagazine.com/handwoven-couture-ebba-von-eckermann/

https://skbl.se/en/article/EbbavonEckermann0

https://noba.ac/en/exhibition/ebba-von-eckermann-handwoven-fashion-from-sormland-to-america/

https://www.facebook.com/countessvoneckermann/

https://www.youtube.com/watch?v=1fBk3hRr11w

 

Ebba_von_Eckermann_Textilier

https://www.instagram.com/p/BKFl4IxjsvI/?hl=bg

https://www.kalmarkonstmuseum.se/exhibition/eckerman/

Book Reading with Peggy Hart

On March 14, 2024, local artisan and author, Peggy Hart joined us to celebrate her book, Wool: Unraveling an American Story of Artisans and Innovation.

Nearly two dozen people, including a few rapt teens, filled the Farmhouse living room as Peggy offered a captivating book reading. She discussed the research that went into writing her book and passed around samples of wool textiles during her talk. She also brought a sample of an extruded garden amendment she has been developing that is made from waste wool. Peggy shared a number of excerpts from her book, including a fascinating story about wool that had been at the bottom of the ocean for decades!

She showed us images from museums, advertisements from magazines, and brought the data to life with her engaging speaking style. Peggy demonstrated wool’s impact on millions of lives, from immigrants, slaves and Native Americans, to farmers and advertisers. She revealed the trends in wool consumption throughout history through interesting charts and charming graphics and photographs. Peggy gives a voice to the story of technological and social change, marketing forces, and above all, consumer choices.

During our time with Peggy, she shared pictures of her weaving studio in Shelburne Falls, which is the home of Bedfellows Blankets. She has a collection of industrial looms, including 1940’s Crompton and Knowles dobby looms with widths up to 92”. She enjoys weaving complex structures, often utilizing 24 harnesses, compared to the standard 4 harnesses on a hand loom, to achieve unusual, intricate patterns. She weaves original designs from cotton and wool as well as completing custom weaving using wool and alpaca fiber.

To learn more about Peggy and purchase your own copy of her extraordinary book, please visit her website at https://www.blanketweave.com/

Kira Keck: Life After the Väv Immersion Weaving Intensive

Kira Keck (they/them/their) was part of the third cohort of the Väv Immersion Weaving Intensive. They graduated from Maryland Institute College of Art with a BFA in Fibers; even though they learned to weave in art school they wanted to gain more technical skills and learn more about the craft of weaving. Their undergraduate education focused on theories within fine arts and the metaphors of cloth. As they reflected on what they experienced in the program, they noted that they surprisingly found it very freeing to create utilitarian and functional items. 

Their time in the program was anchored by the strong and close relationships that were built very quickly. Everyone was at a point of transition in their lives, with different levels of experience in weaving and different goals for the program, but they genuinely cared about each other and learning this craft. 

Kira is currently in graduate school at Cranbrook Academy of Art. Cranbrook has a unique approach to education that gives tremendous freedom for students to bring the skills that they already have rather than providing skill-based courses; the tremendous foundation that Kira gained in the technical skills of weaving through the Immersion Weaving Intensive program has guaranteed that they have a lot to draw from as they work to combine theory and craft in their studies. In looking to the future, Kira sees themself as continuing to handweave and work with the looms and to plan to start selling more and taking on more commissioned projects from those who have seen their work. You can learn more about Kira and connect with them via Instagram @erotic_macrame and via their website.

In Their Own Words: Väv Immersion Weaving Alumni

When Eva, Kiri, and Christine arrived to the Väv Immersion program, they came with an open mind and a willingness to learn from a master in the Scandinavian weaving tradition and from each other. They didn’t expect that they would be met with the opportunity to build a deeper understanding of Scandinavian culture, forge friendships that would carry them beyond their time together in the program, or be celebrated in their mistakes on the looms with such joy and enthusiasm. 

While the technical aspects of what one learns from Immersion are far and wide, our alumni often comment that their experience in this time of learning was rooted in the incredible opportunity to build relationships with each other, experience a slower and more mindful way of living, examine the value of being able to create functional and beautiful objects for daily life, and step away from their personal worlds to reflect on what was meaningful to them and to then bring that back into their lives in new and revitalized ways after the program ended. 

We’re honored to have a few moments of reflection from some alumni of our Väv Immersion program, speaking to what their experience of Immersion was, what they took away from it, and what they’re doing now. 

Kiri Fagen-Ulmschneider (she/her/hers), from our third cohort, is a weaver who makes beautiful and useful things. She is based in Illinois and is building her ‘everything fiber-related’ business on Etsy. She was also gracious enough to share a studio tour with us over the summer, and has a blog that she regularly updates, which includes entries from her time of attending Immersion. You can find her on Instagram @kirimade

Christine Tsai (she/her/hers), from our second cohort, has continued her weaving as a hobby and is developing her skills and working on how to express things through cloth. She considers it a never-ending exploration of a lifetime that she is excited to be engaging in. You can find her on Instagram @weavingbug.

Eva Gaultney (she/her/hers), from our third cohort, made the move from her home in the South to western Massachusetts after her time with the Immersion program ended. These days she is working closely with Becky Ashenden as a teacher-in-training, and while the pandemic prevented her from the classroom experience, she has been studying historic textiles and learning how to replicate them on the loom, while eagerly awaiting the opportunity to be a part of teaching in-person. She is part of a production weaving initiative to develop wool blankets from local sources, is studying how looms are built and working on how to make them even better, teaching Broomcorn classes for Fabric of Life, and will spend time this growing season learning how to manage the garden at Bassett Road Homestead as part of an educational opportunity with Fabric of Life. You can find her on Instagram @athreadforweavingstuff.

© 2026 Fabric of Life

Theme by Anders NorenUp ↑