Blog - Fabric of Life

Weaving on 220cm Loom Made by AK Snickeri

January 27, 2026 / FoL / 0 Comments

Becky shares her experience weaving on a special 220 cm loom, made by AK Snickeri in the 1940’s. This loom was used by Countess Ebba von Eckermann in her weaving business in Ripsa Sweden.

Here is my special very large loom. It was made by AK Snickeri in the 1940’s, and is 220 cm wide. I am eager to tell you its story.

First of all, this is what is on this loom right now.

That is a very long temple!

I love the way fabric looks on the cloth beam.

I had a rare week for myself in my studio in early March of 2020. I was wondering what to weave, so I decided to peruse my old binders from my second decade of weaving and pulled out this one.

Leafing through to see if I had any already planned projects that I had never gotten to.

I found this one! A fun stripe winding, and a combination of plain weave, twill and double weave. I remembered designing it and had always looked forward to getting around to it someday.

I do not have a picture of my cones and warp mill, but I set everything up to wind my warp, and then COVID happened. No more of that precious studio time for about two years. Then I dusted everything off and wound my warp, beamed it and started weaving! Another two years or more, and we may ask, what’s all that stuff at the back of the loom?

I had another warp on this loom for the record 10 years before this one, and finally did weave off some large white tablecloths which are currently in use at our Vävstuga weaving school. I really missed having this “table space” in my studio when the loom was empty, so although I started weaving this new warp, I was in no hurry to finish it. I knew I would need to plan and set up my next project if I were to continue to have that wonderful table space (on top of my warp – yes……)

I originally acquired this loom from Kin Cullen (circled on my early brochure, below). She and her daughter Louise went to Sätergläntan Weaving School in Sweden in the 1970s, and Kin was the one who ultimately encouraged me to go there, which of course was a life changing experience for me, and set me on my life’s path. Her daughter Louise did some work with Countess Ebba von Eckermann (more on her below), Who used this loom and others in her weaving business in Ripsa Sweden.

Here is a poster that has been kept with the loom. Ebba thought she might need a loom in the US, so crated this one up and sent it to Kin, who stored it in her barn in Plainfield Massachusetts for many years. Ebba never came for it, so when I started my weaving business Kin suggested I take the loom, and when I built my house in 1990, I could finally let her know that I had room for such a loom!

Let’s look at a few details – here is a special height adjustment system for the shafts before the invention of texsolv.

This loom has four big beautiful wheels. Since it is so wide, it can be advantageous to lock the beam on both sides when a lot of tension is in use.

The beautiful handwork on this loom includes markings to tell you how the joints fit together.

This detail shows how the beater secures the reed.

The fly shuttle beater has these beautiful leather guides for the cord, originally hemp, but now replaced with texsolv.

This is a special rawhide piece to fling the shuttle from box to box in the fly shuttle beater, beautiful cord bracket at the top of the beater, and right hand side showing the wiggly leather shock absorber.

Here is a link to a film showing the weaving on this loom during my previous project.

I placed two of these brackets on the treadle beam to hold the 220 cm warp sticks.

And of course, I managed to leave out some blue warp threads by mistake, so here is my method for adding them in after the fact.

I have enjoyed looking at this fabric on this loom for over two years, but I’m feeling the itch to weave this project off soon.

Here are a few of the many fabrics I have woven on this full width loom in years past.

About Countess Ebba von Eckermann

(in Swedish)

More Information:

https://handwovenmagazine.com/handwoven-couture-ebba-von-eckermann/

https://skbl.se/en/article/EbbavonEckermann0

https://noba.ac/en/exhibition/ebba-von-eckermann-handwoven-fashion-from-sormland-to-america/

https://www.facebook.com/countessvoneckermann/

https://www.youtube.com/watch?v=1fBk3hRr11w

Ebba_von_Eckermann_Textilier

https://www.instagram.com/p/BKFl4IxjsvI/?hl=bg

https://www.kalmarkonstmuseum.se/exhibition/eckerman/

Working Oxen Demonstration

August 2, 2024 / FoL

On an overcast late-June morning, trailers of all sizes began pulling into the field behind the barn at the Bassett Road Homestead. Teamsters quietly unloaded their working steers and oxen to settle in from their trips. Many drove two or more hours to join in Fabric of Life’s Working Oxen Demonstration on Saturday, June 29^th. As the clouds threatened, the oxen were paired up and began to make the walk toward the tents where they were welcomed by an enthusiastic group of attendees.

Participants waiting to be introduced at the Fabric of Life working oxen demonstration

Melanie Brundage of Douglas, MA began the day with an engaging presentation about the history of working oxen in agriculture. She shared some specifics of what makes an animal an ox. While many folks think Oxen are a distinct breed of cattle, they can actually be any type of bovine. In fact, there are many breeds of cattle trained for draft power, such as the tall Brown Swiss, the black and white Lineback, the fuzzy Highland, the red and white Milking Shorthorn, the red American Milking Devon, the aptly named Red and White, the Normande of Viking heritage, and red Hereford with their white faces.

Informational display by Isaac Riendeau at the Fabric of Life working oxen demonstration

One of the participants shared an informative poster outlining cattle terminology. A heifer is a female who has not yet had a baby; a cow has had a baby and thus produces milk; a bull is a reproductively intact male; a steer is a castrated male who is unable to reproduce; an ox is a steer who has reached at least four years of age; oxen is the term for a pair of castrated males, often trained for draft purposes.

Melanie Brundage introducing the participants at the Fabric of Life Working Oxen Demonstration

The crowd heard many interesting facts about working oxen, including that they don’t sweat, are generally slow and steady, and the wooden yoke around each pair’s neck is specially sized for each team. Oxen have horns to help keep the yoke in place when a load is pushing forward on the team, and their horns can be shaped with the use of weights.

Participants heading to the woods to pull out logs with their teams at the Fabric of Life working oxen demonstration

Nine teams of steers and oxen joined in the fun, along with a single-hitch ox. As the animals waited patiently for their turn to work, Melanie introduced each set with their handler, sharing distinctive features of the animals in each turnout, such as the mature weight, coloration, and temperament of each breed or mix of breeds. Handlers included a mix of youth and adults who expertly guided their obedient animals into the woods to pull out logs. The young folks enjoyed a bit of friendly competition as they navigated their teams through an obstacle course, often directing their steers and oxen very precisely to move one step at a time.

Belgian draft horses, Mike & Ryker, at the Fabric of Life working oxen demonstration. Mike and Ryker are owned by Faith & Donnie Bisbee

In addition to the working steers and oxen, Faith and Donnie Bisbee of Clay Hill Farm brought a beautiful team of Belgian draft horses named Mike & Ryker. These impressive horses drew lots of attention in their fancy harnesses and really shined as they made their first foray into pulling a plow look effortless. After the event, a small group worked together to plant broom corn and wheat in the freshly plowed garden, mulching with mowed grass to help suppress weeds and retain moisture.

Spectator talking with Scott Brundage about his 2,100lb single hitch ox, Buck at the Fabric of Life working oxen demonstration

Attendees were able to meet these beautiful animals up close and many seized the opportunity to try their hand at guiding a plow as it sliced through the ground in the lower garden. Each was given a brief set of instructions and then did their best to create a straight line as the powerful animals pulled the plow forward.

Spectators visiting with Isaac Riendeau and his steers, Timmy & Tyler, at the Fabric of Life working oxen demonstration

Once the animals were settled back at their trailers, everyone came together for a shared meal and plenty of talk about oxen, farm life, and family. We couldn’t have asked for a better group of teamsters and appreciate the time they all took out of their busy lives to share these amazing animals with us. We look forward to hosting a similar event next year and hope to see many new faces when we welcome these dedicated folks back to Fabric of Life in 2025!

Thank you to the participants in our working oxen demonstration!

Fabric of Life Working Oxen Demonstration participants (pictured left to right): Justin Riendeau with Pete & Gil, Isaac Riendeau with Timmy & Tyler, Brooke Bisbee with Harvey & Lewis, Carson Bisbee with Taco & Loki, Earl Grey with Wayne & Garth, Owen Laurenzo with Aries & Zeus, Bailey Turnbull Grout & Rocket, Autumn Turnbull with Tonka & Truck, Sandy Eggers with Red & Rusty, and Scott Brundage with Buck. Not pictured: Melanie Brundage, Faith & Donnie Bisbee with Mike & Ryker.

Country Folks did a nice writeup about the event, which you can read on their website.

To learn more about working oxen, reach out to the Hilltown Misfits 4-H Club or your local 4-H club, the All Things Oxen facebook group, the Draft Animal Power Network, or the New England Ox Teamsters.

Cape Breton Fiddlers come to Buckland Public Hall

July 11, 2024 / FoL

On Saturday, June 16, 2024, Fabric of Life welcomed award winning Cape Bretton fiddlers Troy MacGillivray and Mari Black to Western Massachusetts.

Before the concert, Troy & Mari arrived at the Bassett Road Homestead in Shelburne to teach two intimate fiddle workshops. Eight musicians with a range of experience and skills tried out new tunes, experimented with ornamentation and playing styles, and even soaked in a bit of history about the composer of one of the songs they learned. Participants eagerly soaked up Troy’s enthusiastic playing and teaching style, and had a chance to try out the newly learned tunes to Troy’s piano accompaniment. Everyone took a short break to socialize over light snacks before the second portion of the workshop. Mari began by teaching a simple yet catchy song and then discussed the composer’s intention around how it would be played. She demonstrated two very different approaches to playing the tune, one in a more formal style, and one with the driving Cape Breton feel. Participants were delighted with their ability to alter the sound of the tune based on their technique.

While the workshop was taking place, preparations were underway at the Buckland Public Hall for the evening’s planned Cape Breton Fiddle Concert. Carolyn Wheeler of Wheel View Farm generously loaned us tables from the family’s farm museum for the event. Unique hand-woven table cloths were provided by Vävstuga Weaving School and each table was adorned with a beautiful arrangement of Carolyn’s peonies. Seating was arranged in rows, eagerly anticipating the arrival of an audience that would nearly fill the hall.

At 5pm, concert-goers were lined up outside the hall, able to catch a glimpse of the performers through the hall’s windows as the sound check was completed. Once the doors opened, every available seat was soon occupied, most with local residents who had come out to see these accomplished musicians. Some had ties to Cape Breton, others were also musicians, and all came for the pure enjoyment of the evening’s music. Once Troy, Mari, and accompanying guitarist, Noah Fishman took to the stage, the crowd was all ears as they listened to the trio play an engaging first set of songs. During a brief intermission, folks mingled about, chatting about Cape Breton, fiddle music, families, the hall, and sharing a sense of community.

When Troy, Mari, and Noah began to play again, the room went quiet, with folks nodding in time, tapping their feet, and clapping along to the music. During a waltz, the musicians encouraged dancers to get up from their seats and, as Mari put it: “Make dance music no longer theoretical.” Couples twirled throughout the hall, and spilled over into the entryway to find more space for their fancy footwork. And they weren’t the only dancers – both Mari and Troy took turns bringing the music to life as they played while also dancing on stage.

After the conclusion of the concert, a buffet supper was served, featuring a variety of fun desserts, such as jello creations in the shape of a lobster, a cornucopia, a pineapple, a rooster, a fish, and many others. Cucumber sandwiches, salad, and of course, cheese and crackers, and trays filled with desserts were enthusiastically picked up as tables and chairs were rearranged to make space for the after-dinner square set. After a short break for supper, the music resumed, and folks danced and laughed together until the joyous evening came to an end.

The staff at Fabric of Life is honored to have been involved with bringing these talented and captivating musicians to our rural Western Massachusetts community and hope the memories and joy folks took home with them will last a lifetime. We hope to see many of the concert attendees at our future events and are humbled by the feedback from our community about the joy, music and connection we have been able to foster.

Troy MacGillivray

Troy MacGillivray was raised in Lanark, Nova Scotia and has been involved in music since his childhood. By the age of six, Troy was already impressing audiences with his step dancing skills. By 13 he was teaching piano at the renowned Gaelic College of Celtic Arts and Crafts in St. Anne’s, Cape Breton. He has completed grade seven of the Toronto Conservatory of Music for classical piano, has spent four years in a stringed orchestra and has earned a Bachelor of Arts degree with a major in music from St. Francis Xavier University. He has a number of albums, including Boomerang (2003) and Musical Ties (2001), which received East Coast Music Award nominations as well as Music Industry Association of Nova Scotia nominations. MacGillivray’s third solo album, ELEVEN, is a tribute to his Highland heritage. His 4th album, Live At The Music Room, was awarded the 2008 ECMA Instrumental Recording of the Year and contains a wide variety of strathespeys, reels, jigs, polkas, a hornpipe and a piano air. His most recent album, When Here Meets There, is a unique collaboration with Canadian & US National Fiddle Champion Shane Cook. In 2004, he was the recipient of the “Auleen Theriault Young Tradition Award” from the Goderich Celtic Roots Festival in Goderich, Ontario. Troy has toured around the world, including appearances at Celtic Connections Festival in Glasgow, Scotland, the East Coast Music Awards, Celtic Colours International Festival in Cape Breton, the Royal Scottish Academy of Music and Drama, the Barbados Celtic Festival and the Edinburgh Fiddle Festival. Troy is a recipient of the Queen Elizabeth II Diamond Jubilee Medal for outstanding contributions to culture.

Learn more about Troy.

Mari Black

Called “one of the brightest fiddlers around today” (Brian O’Donovan, WGBH radio’s A Celtic Sojourn), multistyle violinist and champion fiddler Mari Black delights audiences around the world with her energetic playing, sparkling stage presence, and dazzlingly virtuosic fiddling. Mari’s dynamic performances are infused with her sense playfulness and deep love of the history behind the music, as she weaves together driving dance tunes with beloved stories that bring the music to life. Raised on a rich blend of traditional musical styles, Mari burst onto the international stage when she became Scotland’s Glenfiddich Fiddle Champion, 2-time U.S. National Scottish Fiddle Champion, and 2-time Canadian Maritime Fiddle Champion, all within a three-year period. Ever since, she has been spreading her love for dance-based music, performing as a featured artist at performing arts centers, Celtic festivals, Scottish Highland Games, celebrated folk venues, world music concert series, and acclaimed classical venues including Carnegie Hall. Mari’s passion for dance-driven music extends far beyond the concert stage, as reflected in her work as a teacher, composer, dancer, competition judge, and musical ambassador committed to connecting people through music. Having earned her Doctorate in Education from Columbia University and a Masters in Performance from the Yale School of Music, Mari is a master teacher who is dedicated to helping students of all ages and levels explore the joy of making music.

Learn more about Mari.

To learn more about upcoming Fabric of Life events, please visit our calendar.

Book Reading with Peggy Hart

April 12, 2024 / FoL

On March 14, 2024, local artisan and author, Peggy Hart joined us to celebrate her book, Wool: Unraveling an American Story of Artisans and Innovation.

Nearly two dozen people, including a few rapt teens, filled the Farmhouse living room as Peggy offered a captivating book reading. She discussed the research that went into writing her book and passed around samples of wool textiles during her talk. She also brought a sample of an extruded garden amendment she has been developing that is made from waste wool. Peggy shared a number of excerpts from her book, including a fascinating story about wool that had been at the bottom of the ocean for decades!

She showed us images from museums, advertisements from magazines, and brought the data to life with her engaging speaking style. Peggy demonstrated wool’s impact on millions of lives, from immigrants, slaves and Native Americans, to farmers and advertisers. She revealed the trends in wool consumption throughout history through interesting charts and charming graphics and photographs. Peggy gives a voice to the story of technological and social change, marketing forces, and above all, consumer choices.

During our time with Peggy, she shared pictures of her weaving studio in Shelburne Falls, which is the home of Bedfellows Blankets. She has a collection of industrial looms, including 1940’s Crompton and Knowles dobby looms with widths up to 92”. She enjoys weaving complex structures, often utilizing 24 harnesses, compared to the standard 4 harnesses on a hand loom, to achieve unusual, intricate patterns. She weaves original designs from cotton and wool as well as completing custom weaving using wool and alpaca fiber.

To learn more about Peggy and purchase your own copy of her extraordinary book, please visit her website at https://www.blanketweave.com/

Singing Ukulele Retreat

September 26, 2023 / FoL

On Sunday, September 10th, Fabric of Life held a “Singing Ukulele Retreat”. The event was a gathering of 30 ukulele players who, for one day, became a community of musicians dedicated to improving their skills and making music together.

We are excited for the opportunity to offer this musical program as part of our ongoing efforts to preserve and promote traditional skills that enrich our daily lives. People have always made music, but in our modern world most people are passive listeners rather than active music makers. Both singing and playing ukulele are easy and accessible to anyone who wishes to discover how enjoyable and rewarding it is to be a musician.

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Most ukulele workshops offer the chance to learn new songs and skills to improve playing technique, and this was no exception. But even though the ukulele is most often used to accompany singing, attention to vocal technique is often overlooked in group settings to ukulele players. In this retreat, we paired the two together to produce a fun-filled afternoon .

Stu Fuchs opened the day with a session on mindfulness and musicmaking. This introductory session combined some playing, singing and mindfulness practice to get everyone in the mood. Then the group was split into two groups to practice each set of skills separately. Stu led participants in improving their playing technique using easy and fun songs while Justina Golden focused on vocal technique and understanding how the voice works with the power of one’s breath.

In the evening, the group came together for a delicious supper prepared by our host Becky Ashenden. We enjoyed a mini concert where Stu and Justina each did a short performance, followed by the group singing and strumming the tunes they learned during the day.

This workshop enabled musicians of varying skill levels to work with professional teachers and performers at the beautiful Bassett Homestead in Shelburne, MA. During the Singing Ukulele Retreat, we received many favorable comments from participants who learned new techniques, made new connections with other musicians, and enjoyed this very special day.

Meet our Singing Ukulele Instructors

Stu Fuchs is a lifelong musician, award-winning teaching artist blending mindfulness practice and creative play. He has presented his ukulele workshops and concerts at ukulele festivals around the world and has performed classical and gypsy jazz guitar with symphony orchestras. Stu blends accessible mindfulness practices with playful holistic music instruction at his “ukulele zen” workshops and retreats. He was awarded a grant from the National Endowment for the Arts for his work bringing healing music to cancer patients. Stu recorded and toured with renowned sacred chant artist Snatam Kaur, playing on her “Best New Age” Grammy award nominated album “Beloved”. Stu continues to offer weekly lessons and music inspiration at his YouTube channel Ukulele Zen.

Justina Golden is a singer and vocal teacher since 1986. She fell madly in love with teaching, trying to explain how to wield something invisible that has the power to transform lives. She has taught individuals, small groups, and choirs, turning good singers into professional singers. Justina also toured for 12 years in a singer/songwriter duo, taught voice at the Dar Williams “Writing a Song That Matters” workshop, and has taught at the Northampton Community Music Center and Smith College. She now teaches in Florence, MA at her Profound Sound Voice Studio.

About Fabric of Life

Fabric of Life is a 501(c)3 not for profit educational organization dedicated to the preservation and passing on of knowledge and skills that enrich our daily lives. We strive to see traditional skills flourish in our modern world and make these educational opportunities available to future generations. Working together creating practical things of beauty not only improves quality of life, but also strengthens communities.

We hope our work brings joy to your life!

Should you feel moved to do so, we always welcome tax-deductible donations toward our mission.

Donate

Fabric of Life Hosts Retreat for Black Weavers

April 28, 2022 / FoL

At the end of March, Fabric of Life welcomed four talented weavers to Bassett Road for a Retreat for Black Weavers, the first of what we hope will be many gatherings of black weavers from across the country. These women come from diverse backgrounds and we are thrilled to have been able to facilitate their first in-person meeting. Melvenea Hodges detailed the experience in her blog, Traditions in Cloth and we have included some of her post below:

“We came up with the idea that we’d do a long weekend fellowship where we toured the homestead, learned about Swedish weaving yarns, sampled different weave structures, and shared farmhouse meals together. For the following week, a few weavers would stay and work on creating a weaving tutorial with an instructional booklet, video, and weaving kits to help new weavers get started. If I could get members from our new virtual group to come, the non-profit organization Fabric of Life with the support of The Ddora Foundation would sponsor us. I loved this idea because I would finally get to know other Black weavers for the first time and we could do something helpful for the larger fiber community. We would come together to aid in the preservation of our craft.”

“It didn’t take long to acquaint ourselves. I must have known these ladies in another lifetime. This was so special. I’m one-of-a-kind in any context but for once I felt like one of the pack. Yes, we’re a WE, not just me. It has been so surreal and daunting in these last 2 years to even speak publicly about fiber arts knowing I am one of a few Black weaver voices people will get to hear. I feel like I’m talking for us. Imagine talking for people you’ve never seen or met. That’s a responsibility that I don’t take lightly. I want to know what they value, think, feel, and what this craft means to them. We’re all Black but we’re also from all sorts of backgrounds. There are so many intricacies to sort out amongst ourselves. We could finally have those conversations in person. We’re REAL.”

“Two of us could stay the following week for the skill-sharing project. We wanted to share how to weave on a frame. It is the perfect gateway to all of the exquisite ethnic textiles being woven all over the world. Anyone can find a frame and weave an infinite assortment of textiles. It’s so special because even to this day these textiles can only be replicated by artisans. The magic is with the weaver and not the loom. Just as a spider weaves an intricate web in a frame, so does the weaver with just shared knowledge, creativity, dexterity, and perseverance. It’s a weaving heritage that remains untouched by industry.”

“My tickled soul is so invigorated.”
Melvenea Hodges

“There is work left to complete but so much was accomplished in such a short time with the support of Becky, Leni, and the Vävstuga and Fabric of Life staff. I look forward to sharing with everyone, especially aspiring weavers, the joys of weaving on a frame loom.”

“I am ever grateful to Becky, Fabric of Life, and The Ddora Foundation for helping us bring this vision to fruition.”

“As for The Society of Black Weavers, the best is yet to come. With every stroke of the keyboard, a call for connection is released into the air. Our common web is being woven slowly but surely. We find joy in weaving and now we’re doing it together.”

Read Melvenea’s full blog post.

A Late Swarm of Honeybees

March 7, 2022 / FoL

The Making of a Perfect Swarm

During our 2021 program season, Fabric of Life partnered with Ang Roell (they/them/their) of They Keep Bees to teach two in person workshops on Beekeeping. Those programs were well attended and participants had the opportunity to both learn about bees in an academic setting as well as dive into a variety of hives. These first two sessions were based on building a relationship with honeybees and understanding what is involved in the planning and care of a honeybee hive. Participants were able to explore a variety of thriving colonies of bees and gain an understanding of what goes into keeping colonies healthy and strong. In addition to these two live sessions, Ang put together 9 hours of written and video instruction that is available on demand for our online program: They Keep Bees: Virtual Bee School.

Fabric of Life Marketing Agent, Sara Davis (she/her/hers) owns and operates Oak Hollow Livestock, a diversified small farm in Shelburne. She raises a variety of livestock and poultry and had been considering adding a small number of honeybee hives sometime in the future. Although unable to attend the first session of our summer 2021 beekeeping program, she helped capture pictures and video of the second session.

Serendipitously, about a month later, a swarm of honeybees made a stop in Sara’s garden. Having enough confidence from observing Ang’s second beekeeping session, and not quite enough wisdom to realize she was embarking on a doomed journey, Sara carefully transferred the swarm to an empty hive and hoped they would decide to stick around… And they did!

What’s the Big Deal?

Folks who aren’t honeybee savvy might not realize the challenges of a late fall swarm. In general, bees swarm because they become too crowded in their hive. The majority of the colony remains in the original hive to grow a new queen and continue their life cycle. The old queen and a portion of the original colony set off on a journey to find a suitable new home. This usually happens in the spring when bee populations expand rapidly and there is plenty of food to build up stores of honey and pollen before cold weather arrives. Fall swarms are generally small and do not have the luxury of ample time to build new comb or abundant pollen and nectar to gather enough stores in their new home. Because of this, fall swarms generally do not survive the winter, especially in our cold northern climate.

In an effort to give this late swarm their best chance at seeing the spring, Sara spent hours researching and consulting experienced beekeepers. Sara continuously fed the swarm sugar syrup to encourage them to draw comb, and the bees dutifully brought in as much nectar and pollen as possible before winter hit. Though we are still approaching the late winter stretch, when beekeepers suffer most of their colony losses, Sara is hoping to provide enough support to bring her swarm through to the first dandelion flower of spring.

At last check, the hive was still buzzing and thriving!

Want to Expand Your Bee Knowledge?

They Keep Bees: Virtual Bee School is available to individuals with some honeybee experience. This online program includes three in-depth classes: Hive Anatomy & Expansion, All the Mite-y Details, and Preparing for Winter. In addition to a wealth of easily accessible information, participants will be provided with a copy of Ang Roell’s Apiary Action Plan Guide, as well as direct access to their Slack channel to ask questions and search relevant discussion topics. Ang’s book Radicalize the Hive is also available at no cost.

Pa’s Rag Rug

December 28, 2021 / FoL

In this post, Becky Ashenden takes us on a first-person photo journey through the process of re-weaving an old rag rug from her father’s childhood home in Maine.

This story has been on deck for a whole year – my how time flies!

In November 2020, I finally found the time to take on a long neglected project from my father, David Ashenden, who lives in a lovely older house on the Maine coast way “downeast.” He has fond memories of this place from his childhood, as do I.
He inherited several worn out rag rugs along with the property, and after I re-wove a larger one of these for him several years ago, he presented me with this charming little challenge of a worn out rug, in case I had time and inclination. We both agreed it was a much better solution than a dumpster!
Here I have woven some header. I actually put a stick in the first shed of the warp to flatten everything out and make a nice, very smooth edge to start weaving the rug on. And there is my header, all woven. And now let’s start taking that rug apart…

Here I’ve taken the first several picks out and the different colored rags are stuck together, with time and use.
You can see here that the warp is starting to get a little bit long.
I can keep tugging to get this pick out.
Then I can use my scissors to give the old warp a haircut.
I have wound this first bit onto a shuttle, so here we go!
I make a mountain with my finger and step on the other treadle.
And just squeeze it down…
It is so nice to see how it’s already starting.
Now I put a temple on, covering our good work here, but pretty soon we will get a better look at it.
Here is a close-up of the work so far.
This nice Chevron detail separated easily into its two separate wefts, ready to go back into place in the new rug.

This is a close-up look of an especially bad section of this warp.

That shows that even as the rug was wearing out, it was still – for the most part – serving its purpose as a decorative floor cover, continually being walked on. This kind of wear certainly makes it difficult to vacuum!

Here we are, approaching the second chevron stripe, and the big tangled mess.
We need to give regular haircuts now and then, when the old warp yarns become too long to easily pull out the wefts.
When we pull apart some of these “white” rags, we discover that there is some color inside there. Perhaps these rags were 100% light blue when the rug was first made.
Here is a bit of that blue color showing through in the new rug.
Now finally, here is the eagerly awaited big tangle. But it’s not really tangled at all: as you can see, the right-hand selvedge shows exactly what order all of the rags are in, so we will use that as our guide.
How about that? The big tangle came out all in one piece! Now we will put it on the shuttle and proceed with weaving.
Ready to start throwing the shuttle?
But wait! What about all of those pretty colors we were discovering inside the rags? Let’s try ironing these rags out flat so we can see some of the hidden, original fabric on the inside.
But wait! What about all of those pretty colors we were discovering inside the rags? Let’s try ironing these rags out flat so we can see some of the hidden, original fabric on the inside.
But wait! What about all of those pretty colors we were discovering inside the rags? Let’s try ironing these rags out flat so we can see some of the hidden, original fabric on the inside.
Oh boy, what wonderful discoveries! There were obviously many different bits of fabric used here and many of them are just very short pieces, and somehow all of those places are still magically stuck together, so I didn’t tug on them too hard and now we have a big shuttle full of our big tangle all flattened out and ready to make new again in our rug.
And, here’s what it looks like woven up, not much of a tangle anymore!
The original keeps getting smaller, and now we have a little pile of warp shards.
Now that we have entered the tedious (yet kind of fun) ironing out of the old rags, I feel the necessity to continue this process for that middle section of the rug, so it has some consistency to it.
Ooh! – What a lovely pile of ironed ancient rags on the floor. I can only wonder how old these rags might be, possibly 100 years or more old, and what clothing might they represent being left over from whom? We can only wonder.
Now look at those vibrant colors in the weaving!
It helps to hold a foot on the little rug to have something to pull against.
White faded rags turning into vibrant colors!
White faded rags turning into vibrant colors!
Shorter and shorter
Longer and longer
Last chevron bits pulled out
Oooh – such a little bit of the last really worn-out section left, but we can do it.
Here’s a look at the whole underside of the rug on the loom
We gauged the length of the warp just right. It was made from old quills of leftover rug warp that have sat around for many years. You can see a few of my repairs at the back, and how close to the shafts the end of the warp has come.
AND — Here comes the rug off the loom!

The finished rug was hand delivered as a present to my father last winter. It has now come full circle to the same house where it may reside another 100 years!

Re-weaving an old rug is a wonderful adventure I would recommend to any of you out there who weave. If you take this on, we would love it if you would share your re-weaving adventure with us.

Share your re-weaving adventure with us!

How Barbara Revitalized Her Garden

November 16, 2021 / FoL

Barbara’s prolific flowers amidst the tomatoes and basil

Over the summer, Fabric of Life was excited to partner with ML Altobelli (she/her) to offer a season long Understanding Your Garden program series. One participant, Barbara Blumenthal, gives us a first-hand account of her experience, and how she directly used her newly learned skills to revitalize her garden.

Barbara says, “This year’s Fabric of Life gardening sessions with ML really transformed my approach to gardening! Even without implementing every bit of advice – which I hope to do more of in 2022 – my yields and the quality of my produce increased enormously.”

Quite a bountiful harvest from just one day in August, all from Barbara’s garden

She has been a home gardener for about 40 years and has been reasonably satisfied with her vegetable harvests. In 2021, she said she decided to make some changes. She began in early spring by laying down cardboard and mulch hay to both nourish her garden and keep down the weeds. She then joined us for our season-long gardening series, which took place both in-person and virtually.

“The most fun sessions, not surprisingly, were the two in-person ones at the Farmhouse in Shelburne, in May and October. ML’s enthusiasm, breadth of knowledge and experience, and commonsense approach to gardening were so helpful and inspiring.”

Early November view of Barbara’s garden, all tucked in for the winter

And inspiration is something Barbara has certainly found through this program! “This fall, I’ve completely redesigned my small garden, digging paths which I filled with wood chips.” Barbara has also changed the structure of her growing area, “establishing slightly raised garden beds, applying mineral mix, wood chips, and grass clippings, leaves, and straw for my garden to winter over.” In her excitement to build her garden soils, Barbara says she “bought a cordless, electric lawn mower with a collection bag so I can use more grass clippings to feed my garden. In my husband’s words: I’m obsessed!”

Barbara also shares that she had to work a bit to incorporate the information from our garden series, confiding that “the wealth of knowledge presented was a bit overwhelming at times, but always logical and precise, and the ability to review the videos of all sessions was very helpful. This program has really enriched my gardening life and enabled me to preserve more food for the winter. It’s also been fun to see how the Fabric of Life garden has improved and truly blossomed during the virtual sessions throughout the growing season.”

Watch our Understanding Your Garden series videos

Ang Roell of They Keep Bees

June 30, 2021 / FoL

Ang (they/them/their) started as a backyard beekeeper; they had recently moved from Florida to Massachusetts (in the Jaimaca Plan neighborhood of Boston) when they started seeking out community members and educators to teach them how to keep bees, while they weathered their first long Massachusetts winters.

Ang speaks of their first experiences with bees – how they came to know that this was exactly what they wanted to do, how they have been immersed in the community and profession of beekeeping in the years since, and what their focus is in their work with bees currently. And they share some very interesting facts about how bees minimize toxins in their hive, queens, and how they copulate with drone bees.

Ang will be teaching a two-part in-person series on Saturday, July 31, 2021 and Saturday, August 7th, 2021 around how to build a relationship with bees and planning the care of a honeybee hive to provide confidence in what you will do and in working with bees. They are excited to model how to build a reciprocal relationship with bees so that the current hierarchy of thinking related to species is leveled out. Additionally, we will soon have a virtual bundle available that will build on what you will experience in-person, but can also be beneficial for those who have some experience with beekeeping under their belt already.

Learn More: Beekeeping Series

Fabric of Life